Four decades • 300+ comix • 250+ books • A Who’s Who of Lowbrow Art

Last Gasp turns 40 this year and to celebrate, we are throwing a party and art show at 111 Minna Gallery in San Francisco.

The Last Gasp 40th Anniversary Art Show assembles a top-drawer lineup of artists – the haut monde of lowbrow. Over the past four decades, Last Gasp has published hundreds of artists in the underground comix, kustom kulture, pop surrealism and street art movements.

Artists in the show include:

Gary Baseman, Tim Biskup, Glenn Barr, Mark and Vaughn Bode, Robert Crumb, Richard Corben, Rob and Christian Clayton, Guy Colwell, Ron English, Tony Fitzpatrick, Christopher Felver, Camille Rose Garcia, Justin Green, Charles Gatewood, Bill Griffith, Rick Griffin, Ed Hardy, Jay Kinney, Frank Kozik, Joe Ledbetter, Carol Lay, Adrian Lee, Michael Manning, Chris Mars, Mats,  Paul Mavrides, Scott Musgrove, Albert Morse, Junko Mizuno, Liz McGrath, Laurenn McCubbin, Mitch O’Connell, Annie Owens, The Pizz, Mark Ryden, Michael Rosen, Trina Robbins, Spain Rodriguez, Dori Seda, Winston Smith, Stanislav Szukalski, Larry Todd, Eric White, Robert Williams, Basil Wolverton, Attaboy, Aye Jay, and many more to be announced.

Writers, including San Francisco Poet Laureate Diane DiPrima will do a reading.

Design radicals GAMA-GO will produce a limited edition tee shirt for the event.

21 + over; Free and open to the public

When: April 1, 2010, 6pm until late
Where: 111 Minna Gallery, 111 Minna Street, San Francisco, CA 94105
(415) 974-1719   www.111minnagallery.com   Contact: Jay Howell

About Last Gasp
Last Gasp is one of the largest and oldest publishers and purveyors of underground books & comics in the world, as well as being a distributor of all sorts of weird ‘n’ wonderful subversive literature, graphic novels, tattoo and art books.

Last Gasp was founded in 1970 by Ron Turner. Last Gasp’s first publication, Slow Death Funnies #1 came out on the first “Earth Day,” April 15, 1970. Subsequent comics included the all-women’s comic It Ain’t Me Babe, and Skull Comics. Over the years they have published, and in some cases brought to light, some of the most respected and talented artists working today, including such luminaries as R. Crumb, Mark Ryden, Justin Green, Bill Griffith, Frank Kozik, Todd Schorr, Winston Smith, Spain Rodriguez, and Robert Williams to name but a few.

Ron Turner’s enthusiasm for underground comics, and in particular their autobiographical aspect, has been the driving force behind many groundbreaking publications. Last Gasp published Justin Green’s highly acclaimed confessional Binky Brown Meets the Holy Virgin Mary in 1972, a book that became an inspiration to many artists now working in the autobiographical style. “Art Spiegelman, who won the only Pulitzer Prize for cartooning, has said he would never have started to do the autobiographical story of his family (in the graphic novel Maus) unless Justin had done it first. And Robert Crumb said the same thing,” said Turner.

Today, Last Gasp publishes 12-20 new titles per year, focusing on Lowbrow and Pop Surrealist artists, as well as graphic novels. The company has 18 full and part-time employees and is based in San Francisco. In addition to publishing, Last Gasp distributes for large and small publishers worldwide, providing a steady countercultural stream of books and other printed matter that spreads over six continents.

Last Gasp books have been glowingly reviewed in The New York Times, The Wall Street Journal, Playboy, Publishers Weekly, Library Journal, School Library Journal, Juxtapoz magazine, The Guardian (UK), Hi-Fructose magazine, The San Francisco Chronicle, The Austin Chronicle, American Book Review, and The Los Angeles Times.

Co-publishing partners include La Luz de Jesus / Billy Shire Fine Arts, Porterhouse Fine Art Editions, San Jose Museum of Art, Grand Central Art Center, Smokemuse, JaPress, Moulinsart, Presspop Gallery, Ignition Publishing, NewSkool/Analog, Laguna Art Museum, and many more.

The readers of the San Francisco Bay Guardian named Last Gasp the Best Local Publisher in 2009.

First publications: Slow Death, 1970 (comic); Breather’s Guide to Invisible Air Polution (book) 1970

Ed Hardy, internationally renowned for breathing new life into tattooing, appears in person to discuss his art and life, as collected in the new book Beyond Skin (teNeues). Hardy will sign copies of the book, which contains drawings, prints, paintings, and his newest pieces in porcelain.

This is not Ed Hardy the fashion line. This is Ed Hardy the original, whose artwork integrates iconography from classic tattoo flash and Hollywood cartoons to the Old West, from Asia and Polynesia to Medieval Europe. Hardy achieves beauty by mixing the grotesque, humorous, subtle, and flamboyant.

Beyond Skin is a scintillating overview of an artist who has tapped the pulse of our time and an ideal gift for all who appreciate the mastery of art that defies generalization.

Presented by Last Gasp

Admission: Free

Ed Hardy
Beyond Skin
Text by Alan Govenar

Size: 10 x 12 7/8 in.
240 pp., Hardcover with jacket
c. 200 color illustrations
Text in English, German, French, Spanish and Italian
$ 98
November 2009
ISBN 978-3-8327-9352-4
To be published by teNeues in November 2009
Phone for press (about the book): teNeues, Anshana Arora (212) 627 9090 ext 19
Available from Last Gasp

Ed Hardy

At the age of ten, Don Ed Hardy recognized the unique force of tattoo art. Growing up in the center of 1950s and early 60s California pop culture, he went on to earn an art school degree and then learned to tattoo by apprenticing himself to master artists. Over the past forty years Hardy has revolutionized this ancient tradition while also bringing fresh energy to the classical mediums of painting, printmaking and ceramics through his exhibitions across the United States and abroad. His technical brilliance and mesmerizing imagery have created an indelible style on skin and in the worlds of fashion and contemporary art. Hardy’s sense of design is at once startling, seductive, frightening, and enchanting, transcending categories of time and culture, high and low.
Ed Hardy’s Tattoo City