Todd Schorr — Designed for Extinction

Todd Schorr: Designed for Extinction
Opening reception: June 26, 4-7pm
Book-signing for Schorr’s latest monograph American Surreal hosted by Last Gasp.

Designed for Extinction is a solo exhibition featuring the paintings of Los Angeles-based artist Todd Schorr, a leading figure in the world of “pop surrealism” and “lowbrow.” Schorr is undeniably inspired by Renaissance masters such as Hieronymus Bosch, Pieter Bruegel, and Salvador Dali, as well as the early animated cartoons of Walt Disney and Max Fleischer, underground comics best exemplified by Zap, and classic films from the 1930s such as King Kong and Frankenstein. His highly polished, fantastic paintings are intricate narratives about evolution and the plight of man

Music by GLUE ONE, food by Rasta Tacos, and limited edition Todd Schorr designed T-shirt provided by Hurley.

Otis College of Art and Design
9045 Lincoln Blvd, Los Angeles, CA 90045

Show runs June 26 – September 11, 2010

More Info
Full Press Release

Last Gasp 40th Anniversary Art Show!

Four decades • 300+ comix • 250+ books • A Who’s Who of Lowbrow Art

Last Gasp turns 40 this year and to celebrate, we are throwing a party and art show at 111 Minna Gallery in San Francisco.

The Last Gasp 40th Anniversary Art Show assembles a top-drawer lineup of artists – the haut monde of lowbrow. Over the past four decades, Last Gasp has published hundreds of artists in the underground comix, kustom kulture, pop surrealism and street art movements.

Artists in the show include:

Gary Baseman, Tim Biskup, Glenn Barr, Mark and Vaughn Bode, Robert Crumb, Richard Corben, Rob and Christian Clayton, Guy Colwell, Ron English, Tony Fitzpatrick, Christopher Felver, Camille Rose Garcia, Justin Green, Charles Gatewood, Bill Griffith, Rick Griffin, Ed Hardy, Jay Kinney, Frank Kozik, Joe Ledbetter, Carol Lay, Adrian Lee, Michael Manning, Chris Mars, Mats,  Paul Mavrides, Scott Musgrove, Albert Morse, Junko Mizuno, Liz McGrath, Laurenn McCubbin, Mitch O’Connell, Annie Owens, The Pizz, Mark Ryden, Michael Rosen, Trina Robbins, Spain Rodriguez, Dori Seda, Winston Smith, Stanislav Szukalski, Larry Todd, Eric White, Robert Williams, Basil Wolverton, Attaboy, Aye Jay, and many more to be announced.

Writers, including San Francisco Poet Laureate Diane DiPrima will do a reading.

Design radicals GAMA-GO will produce a limited edition tee shirt for the event.

21 + over; Free and open to the public

When: April 1, 2010, 6pm until late
Where: 111 Minna Gallery, 111 Minna Street, San Francisco, CA 94105
(415) 974-1719   www.111minnagallery.com   Contact: Jay Howell

About Last Gasp
Last Gasp is one of the largest and oldest publishers and purveyors of underground books & comics in the world, as well as being a distributor of all sorts of weird ‘n’ wonderful subversive literature, graphic novels, tattoo and art books.

Last Gasp was founded in 1970 by Ron Turner. Last Gasp’s first publication, Slow Death Funnies #1 came out on the first “Earth Day,” April 15, 1970. Subsequent comics included the all-women’s comic It Ain’t Me Babe, and Skull Comics. Over the years they have published, and in some cases brought to light, some of the most respected and talented artists working today, including such luminaries as R. Crumb, Mark Ryden, Justin Green, Bill Griffith, Frank Kozik, Todd Schorr, Winston Smith, Spain Rodriguez, and Robert Williams to name but a few.

Ron Turner’s enthusiasm for underground comics, and in particular their autobiographical aspect, has been the driving force behind many groundbreaking publications. Last Gasp published Justin Green’s highly acclaimed confessional Binky Brown Meets the Holy Virgin Mary in 1972, a book that became an inspiration to many artists now working in the autobiographical style. “Art Spiegelman, who won the only Pulitzer Prize for cartooning, has said he would never have started to do the autobiographical story of his family (in the graphic novel Maus) unless Justin had done it first. And Robert Crumb said the same thing,” said Turner.

Today, Last Gasp publishes 12-20 new titles per year, focusing on Lowbrow and Pop Surrealist artists, as well as graphic novels. The company has 18 full and part-time employees and is based in San Francisco. In addition to publishing, Last Gasp distributes for large and small publishers worldwide, providing a steady countercultural stream of books and other printed matter that spreads over six continents.

Last Gasp books have been glowingly reviewed in The New York Times, The Wall Street Journal, Playboy, Publishers Weekly, Library Journal, School Library Journal, Juxtapoz magazine, The Guardian (UK), Hi-Fructose magazine, The San Francisco Chronicle, The Austin Chronicle, American Book Review, and The Los Angeles Times.

Co-publishing partners include La Luz de Jesus / Billy Shire Fine Arts, Porterhouse Fine Art Editions, San Jose Museum of Art, Grand Central Art Center, Smokemuse, JaPress, Moulinsart, Presspop Gallery, Ignition Publishing, NewSkool/Analog, Laguna Art Museum, and many more.

The readers of the San Francisco Bay Guardian named Last Gasp the Best Local Publisher in 2009.

First publications: Slow Death, 1970 (comic); Breather’s Guide to Invisible Air Polution (book) 1970

Gilbert Shelton Autograph Party at Oat Willie’s

Gilbert Shelton, underground cartoonist and author of the Fabulous Furry Freak Brothers, Fat Freddy’s Cat, Wonder Warthog, and Not Quite Dead, will autograph copies of his work at Oat Willie’s Campaign Headquarters, 617 West 29th Street, Austin, TX, on the afternoon of Friday, March 12, 2010.

No stranger to Austin, Shelton began his art career at the University of Texas Ranger student humor Magazine in the early sixties, where he was a frequent contributor and began the groundbreaking Wonder Warthog comic series.

After graduation Shelton moved around the country searching for creative opportunities, stopping at Cleveland, New York, and back to Austin to attend graduate school. He tried various stints at humor and automotive magazines and a brief stay as Art Director for the Vulcan Gas Company, a psychedelic rock venue in Austin.

Finally, Shelton moved to San Francisco in 1968, hoping to join poster artists Victor Moscoso, Rick Griffin, Stanley Mouse, Alton Kelly, and Wes Wilson in creating posters for the exploding rock scene there. He and three other Texans pooled their resources, bought a printing press, and formed a company, Rip Off Press, to create, print, and publish rock posters.

But, as Shelton put it in a 2006 interview, “I wasn’t as good (as a poster artist) as these guys, but I discovered I could do comic books. And, we discovered that our printing press wasn’t good enough to print posters, but it was good enough to print comics.” The rest is history.

Over forty years later, Shelton has produced 14 Freak Brothers titles, as well as several collections. They have been translated into so many languages that it is easier to list the exceptions: every language except Chinese, Arabic, Russian, and the African vernaculars. Over thirty million Freak Brothers books have been sold
worldwide.

In addition to the Freak Brothers, Shelton is the author of the companion series Fat Freddy’s Cat, and has coauthored five titles in the series Not Quite Dead , the peripatetic adventures of the “worlds least famous rock band” with French cartoonist Pic. He was also a contributor to the Zap! underground comic series,
numerous fanzines and other publications, and was the creator of the drug dealing board game Feds ‘n Heads.

Old and new friends of the works of Gilbert can see him at the Oat Willie’s autograph party Friday, March 12th, at a show at the South Austin Museum of Popular Culture, on March 13th and at a panel discussion at SXSW on Monday, March 15th.

Juxtapoz Photo Shoot

Randy Dodson, photographer extraordinaire for Juxtapoz was in our office yesterday to do a photo shoot with Ron for an upcoming issue of the magazine. The 40th anniversary of Last Gasp is coming up (April 1, 2010) and we wanted this photo to capture 40 years of publishing. We piled up a bunch of titles, but there was no way we could get them all in the frame. It’s really only a representative sampling.

During the shoot:

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The finished results:

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Some other shots Randy took in the gallery:

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Liz McGrath New Show

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Elizabeth McGrath says:

Hello,

I am pleased to announce the opening of my new show “American Animals” this Saturday, November 14, 2009 at Billy Shire Fine Arts (5790 Washington Blvd., Culver City, CA 90232; phone: 323-297-0600).
The opening reception will be from 7 – 10pm. The show runs from November 14 – December 5

Visit the BSFA web site for more details

I look forward to seeing you there!

-Liz

Beyond Skin Book Signing with Ed Hardy

Beyond Skin

Ed Hardy, internationally renowned for breathing new life into tattooing, appears in person to discuss his art and life, as collected in the new book Beyond Skin (teNeues). Hardy will sign copies of the book, which contains drawings, prints, paintings, and his newest pieces in porcelain.

This is not Ed Hardy the fashion line. This is Ed Hardy the original, whose artwork integrates iconography from classic tattoo flash and Hollywood cartoons to the Old West, from Asia and Polynesia to Medieval Europe. Hardy achieves beauty by mixing the grotesque, humorous, subtle, and flamboyant.

Beyond Skin is a scintillating overview of an artist who has tapped the pulse of our time and an ideal gift for all who appreciate the mastery of art that defies generalization.

Presented by Last Gasp

November 18, 2009
6:00pm

111 Minna Gallery
111 Minna St.
San Francisco, CA, 94105
(415) 974-1719
www.111minnagallery.com

Admission: Free

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Ed Hardy
Beyond Skin

Text by Alan Govenar

Size: 10 x 12 7/8 in.
240 pp., Hardcover with jacket
c. 200 color illustrations
Text in English, German, French, Spanish and Italian
$ 98
November 2009
ISBN 978-3-8327-9352-4
To be published by teNeues in November 2009
Phone for press (about the book): teNeues, Anshana Arora (212) 627 9090 ext 19
Available from Last Gasp

Ed Hardy

HardyPortrait

At the age of ten, Don Ed Hardy recognized the unique force of tattoo art. Growing up in the center of 1950s and early 60s California pop culture, he went on to earn an art school degree and then learned to tattoo by apprenticing himself to master artists. Over the past forty years Hardy has revolutionized this ancient tradition while also bringing fresh energy to the classical mediums of painting, printmaking and ceramics through his exhibitions across the United States and abroad. His technical brilliance and mesmerizing imagery have created an indelible style on skin and in the worlds of fashion and contemporary art. Hardy’s sense of design is at once startling, seductive, frightening, and enchanting, transcending categories of time and culture, high and low.
Ed Hardy’s Tattoo City